>>46593410
His most famous keyboard work, the Goldberg Variations, was originally written to put an aristocrat to sleep. And, bearing in mind that it consists of 30 variations on not only the same theme but also the same fucking harmonic sequence, it has the very same effect on modern audiences.
The Well-Tempered Clavier is garbage and taught Mozart and Beethoven bad habits that forever stunted their expertise in composition.
The Brandenburg Concertos, Violin Concertos, Orchestral Suites, Mass in B minor, Passions, and Musical Offering are plebeian trash written with mass appeal in mind.
The Art of Fugue is utter dreck and the worst "meme classical" ever written. It's a load of worthless pedantic wankery which literally serves no purpose other than to demonstrate counterpoint. It's hilariously samey and repetitive, which makes sense since it inverts the same fucking melodies to create new counterpoints and does this over and over and over.
Mozart is shit, as well. His autistic use of sonata-allegro is generic and repetitive as fuck; all of his pieces are boring and diatonic, mostly in happy major keys devoid of feeling or deeper meaning; and his music caters to the parties of both privileged aristocrats and the foul mouthed, loathsome bourgeoisie. Moreover, his pieces are extremely limited in terms of timbre; the Classical era faced a huge bottleneck in timbre compared to the Baroque and Romantic. Beautiful instruments such as the viol, chalumeau, viola d'amore, recorder, harpsichord, lute, theorbo, cornetto, and shawm were completely forgotten, and the vast plethora of contemporary brass, wind, and percussion instruments used today were either nonexistent or incredibly uncommon. All of his instrumental works were limited exclusively to the piano, organ, violin family, transverse flute, oboe, clarinet, trumpet, timpani, and bassoon. There is nothing rewarding in listening to Mozart. His music is theoretically perfect, but devoid of interest or feeling.